MISHMASH 2026

The group exhibition MISHMASH is on view through 13 June 2026. Open Thursday to Saturday, 3–7 p.m. and by appointment.

Mishmash, a term of Yiddish origin describing a colourful mixture or medley, refers here to an artistic interplay – a gathering and conglomerate of diverse positions in painting, mixed media, and sculpture brought together under a fluid curatorial concept.

Different painterly approaches stand alongside figurative works whose visual languages and stylistic vocabularies merge with the artists’ individual life stories and artistic statements into a multiperspectival whole.

Participating artists: Anja Wülfing, Dasha Minkina, Emily Strowitzki, Frank Krüger, Liza Mercedes, Moritz Thoma, Peter Simon Mühlhäußer and Tomas Jetela.

: Anja Wülfing Alvaro, 2025, oil and acrylic on canvas, 100 x 100 cm
Price or exposé on request

Anja Wülfing lives and works in Cologne. After completing her graphic design training with Udo Klein in Cologne, she moved to Switzerland to study communication design at the Art Centre College of Design (Europe), graduating with a Bachelor of Fine Arts. After working in various advertising agencies, she founded the graphic design agency Planet Pixel und Weigelstein in Cologne. Her work is represented in the graphic art collection of the Museum für Kunst und Gewerbe in Hamburg.

: Anja Wülfing Portrait 21, 2026, oil and acrylic on canvas, 40 x 40 cm
Price or exposé on request

: Liza Mercedes Meine erste Kippe – Not a Toy Edition, 2026, paper, plastic, 25 x 20 x 18 cm, edition of 3, 1/3
( price or exposé on request )

: Anja Wülfing Portrait 23, 2026, oil and acrylic on canvas, 40 x 40 cm
Price or exposé on request

: Frank Krüger #lost 02, 2026, oil on canvas, 50 x 50 cm
Price or exposé on request

Frank Krüger currently lives in Munich, Germany. He is a self-taught artist who works primarily in oil paints. In his small-format artworks he depicts the human, mostly female figure. The basis for his paintings is formed by photographs, from which he takes cut-outs to translate them into his artistic style. His style is characterized by a strong blur, while the motifs only become clearly visible by walking further away.

: Frank Krüger #lost 01, 2026, oil on canvas, 50 x 50 cm
Price or exposé on request

: Frank Krüger #lost 03, 2026, oil on canvas, 50 x 50 cm
Price or exposé on request

: Tomas Jetela Bacchus, 2025, oil and acrylic on canvas, 190 x 260 cm
Price or exposé on request

Czech artist Tomáš Jetela studied at the Academy of Fine Arts in Prague and focuses on figurative painting. His works combine painting, drawing, and collage in a free and intuitive manner, opening up a broad spectrum of interpretative possibilities – within the image itself, in dialogue with other artworks, and in the interaction between viewer and world.

: The group exhibition MISHMASH Different painterly approaches stand alongside figurative works whose visual languages and stylistic vocabularies merge with the artists’ individual life stories and artistic statements into a multiperspectival whole.

: Tomas Jetela Teddy, 2025, oil and acrylic on canvas, 100 x 100 cm
Price or exposé on request

: Tomas Jetela Double Face, 2025, oil on canvas, 100 x 100 cm
Price or exposé on request

: Peter Simon Mühlhäußer Millie, 2020, foam, 53 x 40 x 22 cm
( price or exposé on request )

: Emily Strowitzki Window, 2026, oil on canvas, 50 x 100 cm
Price or exposé on request

Emily Strowitzki studied Communication Design at the University of Applied Sciences Munich and holds a Master’s degree in Design – Knowledge Visualization from the Zurich University of the Arts (ZHdK). Besides working as a Digital Product Designer, she dedicates every free minute to her artistic practice. In her works, Strowitzki works monochromatically with oil paint on canvas, exploring the tension between the desire to recognise ourselves in others and the fear of encountering those aspects of ourselves that we would rather hide. Those who truly engage with this often discover that what frightens us is inextricably linked to what we secretly long for. At the heart of her work are the subtle facial expressions of her models. No loud gestures, but subtle nuances that say more than words. The portraits are not only created to be looked at, but also pose the counter-question: are we being seen by the image itself?

: Emily Strowitzki Pillow, 2026, oil on canvas, 20 x 100 cm
Price or exposé on request

: Emily Strowitzki Blinds, 2026, oil on canvas, 30 x 100 cm
Price or exposé on request

: Moritz Thoma Praegung #2, 2026, oil on lime-cement, 60 x 120 cm
( price or exposé on request )